Wednesday 28 September 2011

Storyboard: Karma

This is the Storyboard of the Thriller opening from a candidate last year. In the blue boxes are the events in a scene; in the box below is what I would do to improve the scene and make it more of a thriller by adding conventions of the thriller genre.
NB: I would make the lighting in the whole of the opening darker to add a mysterious effect.

Mise-en-Scene is made up of...


Mise-en-Scene is french for 'put in the scene'
The director decides what is put in the scene and what is not. So everything is there for a reason, and what is not there has been left out for a reason. 





Tuesday 27 September 2011

Alfred Hitchcock's: Psycho (1960) 'The Shower Scene'



Mise en Scene
Costume: Female is wearing a silk dressing gown showing she's very feminine and maybe wealthy. 
Attacker is covered up in something like a thick dressing gown; the face is not covered as the victim will be dead after but we can only see the outline of their face to create the mystery of the killer for the audience. The dressing gown may be worn to show they are staying in the hotel too and have not come in from the street to reduce suspicion of them.
Lighting: everyday, although hard to see in black and white. It is focused on her when in the shower; then the silhouette of the attacker is enhanced for us to be aware of the danger.
Acting: she is casual as she is alone. Rips up the paper she has been writing on and goes to put it in the bin but looks around, considers it and flushes it down the toilet instead; meaning she does not want it to be found and is an important part in the story. As she is washing, the attacker creeps up on her with a knife. She screams loudly but the attacker just stabs her body seven times, then flees. He seems as though he has planned everything and is not hesitant of her murder.
Props: she is writing in a notebook of some kind jotting down notes, which she ends up disposing of showing she has something to hide. The attacker murders her with a  knife, by stabbing her slowly, prolonging her death; maybe he is getting revenge.
Setting: the clip starts in the hotel bedroom where she is alone. It is quite standard showing she is most likely staying there alone. She then goes into the bathroom and starts having a shower, which is where the murder takes place.

Camera Angles
Close-up of the blood going down the drain after the murder, signposting it's over; could be a metaphor for her life going down the drain, ending
Extreme close-up of her eye wide open when she is dead, looking surprised, she was not expecting the attack 
Framing shot of her in the shower cubicle, washing and unaware of company. This is also the famous shower scene and so it's framed to just include the shower cubicle
Sound
Selective sound of the shower curtain when the attacker announces himself; this also starts the loud, screeching music. 
Ambient sound is used when the clip starts; it is very calm and delicate just as the lady is acting. During the stabbing, screeching music is used to emphasise the danger of the scene.
Sound effects are used to emphasise the stabbing which is what kills her
Editing
A reaction shot is used when the  lady turns around to find the attacker standing in front of her with  knife; it shows the horror and terror on her face
A dissolve shot is used when there is a close up of the water going down the tap which then turns into her eye where it then zooms out; this could be done to show her blood is draining out of her, as is her life.

Director Appreciation: Alfred Hitchcock

Sunday 18 September 2011

Sweeney Todd (2007) mise-en-scene and camera angles of opening sequence




Monday 12 September 2011

Sherlock Holmes - Thriller Analysis

Sherlock Holmes (the 2009 film re-make) is a Crime Thriller which also has elements of action, adventure and mystery. There is a lot of violence and mystery as well as death. It also features dark magic and crime solving giving the film it's thriller genre.
The lighting is mostly dark, but natural to the setting. Everything is dirty and dingy as it is set in the industrial period in central London so the air is generally misty and polluted but this effect fits with the ambiance of the film. Although the film is mainly low lighting, in scenes when discussing Irene Adler, Holmes' love interest, the lighting is very bright; this could signify that the film is set through his eyes meaning most things seem dull to him apart from Irene. 
There are a lot of mid shots to show the full view of the scene as well as panning when characters are walking to/from the camera. There are also crane shots when a new location is introduced. At intense moments of speech, the camera is close-up to their face with the light focused on them also. In one moment, Dr. Watson pauses as he realizes something. To emphasize this, the camera zoom from a mid shot to a close-up of his face while the sound increases till it stops as the zoom stops. 
There is a lot of eerie music throughout the film to emphasise the mystery of the plot. There a chilling non-diegetic sounds inserted to exaggerate moment. When Holmes is describing his process of attack, all diegetic noise is dimmed and he becomes the voice of god narrating his actions, the movement is also slowed. During a fight scene, there is quirky non-diegetic music which speeds up as the fight progresses; the diegetic sound is decreased but the punches and hits are exaggerated, adding to the raciness of the scene. During a chase scene, the edits are fast and so the non-diegetic music increases pace to add anticipation.
The editing of the film is generally slow, although it becomes quick during fights and chases adding pace. There is a scene where Holmes is fighting with a large french man and at a couple of moments, a comic sub-title appears on the screen, as the character's are speaking french, reading 'one moment please' as they are fighting.